Monday night at the Red Rocks Amphitheatre in Colorado (my favorite music venue, for the record!), Shawn Mendes performed “The Mountain,” a song from his new album Shawn, which reflects on the decade-long media conversation about his sexuality. The song features the lyrics:
“You can say I’m too young
You can say I’m too old
You can say I like girls or boys
Whatever fits your mold.”
He then went on to address the audience: “Since I was really young, there's been this thing about my sexuality, and people have been talking about it for so long. I think it's kind of silly, because I think sexuality is such a beautifully complex thing, and it’s so hard to just put into boxes. It always felt like such an intrusion on something very personal to me, something that I was figuring out in myself, something that I had yet to discover, and still have yet to discover. The real truth about my life and my sexuality is that, man, I’m just figuring it out like everyone. I don't really know sometimes, and I know other times. And it feels really scary because we live in a society that has a lot to say about that. I’m trying to be really brave and just allow myself to be a human and feel things. And that’s all I really want to say about that for now.”
I discovered the speech by waking up this morning and seeing that it had already been made into ready-to-share Instagram posts by some of your favorite accounts and posted in the stories of many friends who are “so happy” that Mendes is finally speaking his truth. I don’t know, it all seemed kind of fake to me. I can’t think of many gay men who actually care about Mendes’ music, outside of maybe recalling “There’s Nothing Holding Me Back” or “Stitches” when they were radio hits. But the idea that Mendes might be gay has been an obsession of so many people online. It’s beyond the typical parasocial relationship that people have with celebrities. It devolves into fan fiction, imagining that if Mendes were to come out, somehow he’d run into you one one of his Washington Square Park strolls and ask you on a date. It’s the same kind of thing that implores people to act as if celebrities are their friends, to look up their personal information, contact their families. You know, the shit Chappell Roan spoke about. A lot of people told Roan to shut up and she wasn’t “made out for fame” when she asked for privacy. Some of those same people’s responses to Mendes are finally as if he owed them a coming-out story; just because they feel like his voice resembles theirs, his gestures remind them of their own. Whether it’s resentment that he gets to be famous and closeted or a desire to know everything about his life because he’s famous, it has very little to do with empathy and being a fan of Mendes. Every person I know who has posted about Mendes today or posted his recent Interview magazine spread has never posted about a single song of his. They probably can’t name any! The obsession with Mendes is purely based on an attraction to a young white man and has nothing to do with an interest in his talent, which is why most of the media posts from gay outlets or individuals today ring mostly hollow.
This isn’t to infantilize Mendes, however, because I think he knows this. There is less speculation about his sexuality than there was years ago, when he was barely 20 years old. Much of that caused him to retreat from public life. He canceled his tour in 2022 to focus on his mental health. But now he’s returned with a new album on the way and a seemingly shrewd way to market it. If people are going to speculate about his sexuality, then he might as well feed into it. I don’t mean it in a completely cynical way, but the almost Terry Richardson-esque Interview magazine segments seem designed to appeal exactly to a base that might not listen to Mendes’ music but is obsessed with his body.
Mendes also knew the lyrics to “The Mountain” would go viral. And discussing his sexuality on stage would go viral. For the first time, it seems like he’s using everyone’s obsession with him to his advantage. Though his albums have always debuted at #1, the sales themselves have dwindled since his debut Handwritten, which has sold almost 500k in the United States. His last album Wonder, has sold about 54k. If he’s able to top that with the forthcoming album Shawn, then maybe he’s finally winning the game.



Bless him. He needs protection and sheltering so that he can find himself. He's still so young (a baby in my eyes!)
This is a really thoughtful piece on an artist I really love and respect. I remember the buzz around all of this when his last album came out, and I sort of tuned out from it. Not through any disrespect, but because (exactly as you've highlighted) it just didn't feel appropriate to have opinions on these sorts of things - Mendes's sexuality, ect...
In a couple days I'm publishing an album deep-dive piece looking at his album Wonder. I think there's a shrewd link between what I've analysed in that album and your piece - Wonder is an album all about the obsessive, euphoric depths of love and romance Mendes found himself in during that season. I think his breakup from that specific relationship bore huge impact on a lot of what came next, including the public's narrative surrounding his privacy, sexuality, faith, etc...
I'm genuinely not here to self-promote! But as someone who's also written a really thoughtful piece about Mendes, I'd love you to check my article out when I upload it!!!